Past Events

Skin Formulas with Vibhuti Arora Saturday 29/11/2025 12 noon – 2 PM HOUSE OF BEAUTY 16A, Palam Marg, Block A, Vasant Vihar, New Delhi 110057 Looking forward to an evening of beauty & brilliance!

The Ladies Study Group (LSG), under the leadership of President Richa Agarwal, hosted yet another compelling edition of its flagship initiative Lead the Change on 14 November 2025 at the Auditorium of IMI. The afternoon brought together members, guests, and thought leaders for an insightful conversation with Padma Shri Arundhati Bhattacharya, President & CEO, Salesforce South Asia, and the first woman Chairperson in the 200-year history of the State Bank of India (SBI). She was in conversation with Vivek Bajaj, noted entrepreneur and educator whose knowledge platforms have shaped financial learning for millions.

Opening Address

Richa Agarwal set the tone with a warm and thoughtful welcome, describing the audience as “a room full of curious minds, constantly looking to learn and grow.” In her address, she highlighted Mrs. Bhattacharya’s extraordinary journey across banking and technology — a journey defined by courage, reinvention, and the ability to stay relevant through changing times. She noted how Mrs. Bhattacharya has been at the centre of some of India’s most critical financial transitions—from digitisation to demonetisation—demonstrating leadership rooted equally in adaptability and grace.

Conversation Highlights

The conversation between Vivek Bajaj and Arundhati Bhattacharya unfolded as a rich tapestry of personal insight, lived experience, and pragmatic wisdom.

A recurring theme was change — not as an external force alone, but as something that must be embraced internally.

Mrs. Bhattacharya emphasised that change comes from within and that questioning, introspection, and willingness to evolve are central to creating impact. While the banking sector has often been weighed down by crisis, cleanup, and regulatory pressures, she reminded the audience that “on the other side, creation also happens”—notably the digitisation of banking, which reshaped customer experience and opened new possibilities.

She spoke candidly about the many new perspectives that emerged during SBI’s transformation. “One story ending and another beginning is what the market sees and rewards,” she observed, reflecting on the delicate interplay of transitions and opportunities.

On Policy, Governance, and Responsibility

When asked whether the government frequently consults SBI on policy, she responded with honesty and humour. She recalled how the crew on Delhi flights recognised her due to her frequent visits for consultations, affirming that the government not only seeks the bank’s input but also offers ample space for suggestions. “That’s how a country changes,” she remarked — through dialogue, collaboration, and informed decision-making.

One of the most memorable moments came when she spoke about what truly impresses her in people. She shared an anecdote from her years of receiving countless letters at the bank. Some employees would return them stamped “Not for Me,” which, she said, would upset her. “The customer has written to the bank. If you don’t know whose problem it is, find out and solve it.”

For her, taking responsibility is the hallmark of character — not shirking it.

On Technology and the Future

Speaking about AI, she urged the audience not to fear it. “Don’t be scared of AI; lean into it,” she advised. Use it wisely, harness its benefits, understand its limitations — but don’t resist progress.

Managing Life: A Philosophy of Balance

Mrs. Bhattacharya offered profound life lessons rooted in balance — trusting oneself yet seeking help when needed, being grateful for support received, and extending the same support to others. She noted that this balance is essential for navigating both home and career.

She also illustrated resilience through stories — from the software engineer who shifted paths to open a palliative care centre launching this December, to a former banker who now runs a thriving online business selling hand-crafted crochet products. “If someone says they don’t have opportunities,” she said sharply, “it is their lack of imagination, not the absence of opportunity.”

On a Changing World

Reflecting on global shifts, she spoke of evolving feminist narratives, thawing geopolitical relationships, and transformations across healthcare, life sciences, politics, and gender. Adaptation, risk-taking, and creative reinvention, she said, are essential as the world continues to change at unprecedented speed.

Vote of Thanks

The session concluded with a Vote of Thanks delivered by Enu Bala, who summarised the afternoon’s spirit — one of inspiration, introspection, and renewed determination to lead change with purpose.

The Ladies Study Group (LSG) hosted a deeply engaging and insightful session with celebrated journalist and media personality Palki Sharma Upadhyay, in conversation with Arpit Agarwal, Founder and Managing Director of Imprimis Media on 6th November 2025 at The Hyatt Centric. The event, held under the leadership of Richa Agarwal, President of LSG, offered an afternoon of reflection, intelligence, and calm conviction — exploring questions of identity, leadership, truth, and the evolving nature of media and womanhood.

The session began with a short and heartwarming video celebrating the six-month journey of LSG, which filled the room with nostalgia and pride. It was followed by Richa Agarwal’s opening address, a thoughtful and eloquent introduction that set the tone for the afternoon. She spoke about disruptors — people who challenge the accepted and redefine the norm — and introduced Palki Sharma as “a truth-teller in an age of noise,” a voice that commands attention through clarity rather than volume.

Richa Agarwal shared how she had first met Palki at CNN TV18’s She Shakti event in Delhi earlier this year, where their conversation on balancing ambition and purpose left a lasting impression. She reflected on Palki’s rare ability to combine depth with decisiveness and welcomed her as an inspiring force for women everywhere. She also introduced Arpit Agarwal, highlighting his three decades of experience in communications across India, Singapore, and Israel, and his sharp storytelling instincts as the author of R&AW Material.

A Dialogue of Depth and Clarity

The conversation that followed between Palki Sharma and Arpit Agarwal unfolded as an honest, intelligent, and at times deeply personal dialogue. Palki spoke about her life, identity, and self-awareness, sharing how she often ends her day in conversation with herself — reflecting on her choices, moments of difficulty, and areas for growth.

When asked about leadership and authority, she reflected on mentors who were strict yet just — individuals who guided her through firmness balanced with empathy. Drawing from her own experiences, she highlighted the transformative power of simple, caring gestures — how even concern for something as ordinary as one’s eating schedule can create lasting impact.

She also shared memories of her early years in Delhi, describing them as some of her most comforting and formative times, shaping her approach to work and relationships alike.

On Gen Z, Media, and the Question of Truth

When Arpit steered the conversation toward the Gen Z work ethic, Palki offered a nuanced and balanced perspective. She praised the generation for its spirit, curiosity, and courage to question. “They have the fire,” she remarked, “but it needs to be ignited by purpose — they must see meaning in the work they do.” She appreciated their willingness to challenge and be challenged, seeing this as a sign of evolving professional consciousness.

In discussing her television media experience, Palki delved into the challenges of balancing credibility with the pace of modern news. Responding to Arpit’s question about the accusation that “television chases speed over substance,” she reflected on the media’s dilemma between being first and being right. She emphasised how her own work seeks to uphold credibility, depth, and authentic storytelling despite the prevailing pressure for sensationalism.

Her critique of TRPs as an unreliable marker of quality was both sharp and thoughtful. She noted that the real issue lies not in the metric itself, but in viewers’ growing readiness to accept sensationalism over substance.

Palki also touched upon the global landscape of misinformation, offering examples from contemporary political events where headlines have amplified inaccuracies. She spoke about the moral and ethical boundaries journalists must draw, stating with characteristic wit that “one should never write a story they wouldn’t want to watch.”

Women, Power, and Authenticity

Palki’s reflections became particularly personal when she spoke about her mother and her child, acknowledging how these relationships keep her grounded and centred. She credited her mother as her greatest source of inspiration — a reminder of the strength that comes from rootedness and empathy.

In one of the most resonant moments of the afternoon, she spoke about the importance of women supporting women, and the urgent need for more women in leadership positions who understand the practical challenges women face in balancing professional and personal expectations. She underscored that true empowerment comes not from imitation, but from mutual understanding and solidarity.

Palki concluded with reflections on authenticity, accuracy, and personal ethics, exploring how professionals must decide whether to endorse or step away from stories that conflict with their values.

Closing Moments

The session drew to a close with a warm Vote of Thanks by Enu Bala, who acknowledged the depth, candour, and grace that defined the afternoon. Members of the audience resonated with Palki’s thoughtful approach, her ability to weave together global insight and personal truth, and her calm yet commanding presence that spoke directly to the essence of leadership and womanhood.

The event stood as a reminder of why LSG continues to remain a vital space for dialogue, reflection, and inspiration, where voices like Palki Sharma’s not only inform but also transform perspectives.

As we approach the festival of lights, Ladies Study Group – Kolkata & Delhi Chapters invite you to a truly illuminating online session:

Myths of the Light: Unfolding Deepawali with Devdutt Pattanaik — Mythologist, Author, Speaker & Illustrator.

Join us as Devdutt unravels the deeper layers of mythology and meaning behind Deepawali — exploring stories of light, wisdom, and inner awakening that continue to shape our cultural and spiritual traditions.

The Ladies Study Group hosted an inspiring and thought-provoking session titled Design Your Destiny: Manifesting Abundance and Success with internationally acclaimed Life Coach, Hypnotherapist, and Relationship Expert Kavyal Seddani. The event was graced by an enthusiastic gathering of members eager to explore the art of creating abundance, purpose, and self-belief.

In her opening remarks, Richa Agarwal, President of Ladies Study Group, welcomed the audience and introduced Kavyal Seddani as one of the torchbearers in the field of emotional and spiritual wellbeing. She highlighted Seddani’s vast experience of over 17 years, her international recognition, and her unique blend of therapeutic and spiritual practices that have transformed countless lives. Emphasising the theme of self-awareness and inner energy, Richa Agarwal invited everyone to embark on a journey of self-discovery and manifestation.

Kavyal Seddani began her talk by reflecting on her own journey - from a troubled teenager with humble beginnings to a globally recognised voice in life coaching. She shared candid anecdotes about her early struggles, including living for a year in a store room, which, she said, taught her the real value of money and resilience.

Drawing from her life experiences, Seddani spoke about the power of being a “jack of all trades”. She celebrated multitasking and multi-managing as powerful tools for achieving one’s dreams, especially for women who naturally juggle multiple roles. “If you are a jack of all, you’re already closer to your dream than if you were a master of one,” she asserted, encouraging women to take pride in their multifaceted lives.

Touching upon societal attitudes toward therapy, Seddani discussed how she confronted the stereotype that therapy merely profits from people’s problems. She invited the audience to reframe such perceptions and embrace mental health conversations with openness.

A recurring theme in her talk was the idea of ordinariness as a route to extraordinariness. “To be as ordinary as possible is to be extraordinary,” she said, reminding everyone that greatness often grows quietly from simplicity and perseverance.

She also spoke about the low expectations often placed on women and how that, paradoxically, could serve as a hidden advantage - a space that allows for mistakes, experimentation, and learning. “Overachievers aren’t allowed to fail,” she remarked, urging women to reclaim their right to imperfection.

In a deeply reflective exercise, Seddani invited the audience to write down their vision of an “extraordinary life.” She guided participants to define abundance as “the ability to do what you want, when and how you want to do it.” Using a vivid metaphor, she compared life to a car, cautioning against spending all one’s time collecting fuel (resources) without ever going for the drive (living fully).

She challenged everyone to question what they truly seek — money or freedom — and to manifest their desires with clarity and intention. “If something comes to you and you believe you don’t deserve it, it will not stay,” she reminded the group.

Seddani captivated the audience with a story about her long-cherished wish to meet Oprah Winfrey, illustrating the power of specific manifestation. Her persistence and faith eventually led her to attend Oprah’s show — a testament, she said, to how the universe listens when one asks with clarity and belief.

The session delved into identifying and unlearning internalised belief systems that often hold women back — from being accommodating in social settings to undervaluing themselves in personal and professional spaces. “Don’t measure your worth by how your insiders perceive you,” she said. “Measure it by how the world values you.”

She also introduced the concept of low and high vibrations, encouraging participants to stay in higher emotional frequencies through self-belief and purposeful engagement, rather than sinking into self-doubt or negativity.

The session concluded with a guided meditative and hypnotic visualisation, where participants were encouraged to envision living their dreams in the present moment. The powerful exercise was accompanied by the song “Aashayein” from the film Iqbal, creating a deeply emotional and transformative atmosphere.

The afternoon ended with a heartfelt Vote of Thanks by Enu Bala, followed by a warm and engaging high tea where members continued to reflect on the day’s insights.

Design Your Destiny was more than a motivational session - it was an immersive journey of introspection, energy alignment, and empowerment. Kavyal Seddani’s blend of candour, humour, and spiritual depth left the audience inspired to redefine success on their own terms and to manifest a life that truly reflects their dreams and inner worth.

LADIES STUDY GROUP invites you to experience an evening of Music, Dandiya, Food & Celebrations organised by Sabhyata Foundation NAVRATRI NIGHTS AT PURANA QILA SATURDAY 27/09 2025 6:30 PM ONWARDS Attire: Red & White Traditional

On Tuesday, 16th September 2025, the Ladies Study Group (LSG) hosted Shakti at the Emami Siddhivinayak Temple, Kolkata — a magnificent celebration of divine strength and tradition. The evening featured a spellbinding presentation by Alokananda Roy and the Darpani Troupe, who took the audience on a choreographed journey through the five sacred days of Durga Puja. Each segment beautifully depicted the essence of the festival — blending music, dance, devotion, and rituals into an immersive experience that captured the heartbeat of Bengal’s greatest celebration.

The evening began with an inaugural address by Richa Agarwal, President of LSG (2025–26), who warmly welcomed members and guests. She reflected on her deep personal connect with the Emami Siddhivinayak Temple, and on Durga Puja as not just a festival, but a unifying force where devotion meets creativity and rituals meet festivity. She also invited members to actively participate in the Dhunuchi Naach and Sindoor Khela after the performance, accompanied by the vibrant rhythms of the Dhaak.

The temple itself was transformed into a breathtaking setting for the evening. Decorated in festive red and white, with intricate alpana designs, floral arrangements, and thematic lighting, the ambience radiated the sanctity and grandeur of Pujo. The audience, dressed in traditional attire, added to the visual spectacle, making the event a living tableau of Durga Puja’s spirit.

The programme concluded with a gracious vote of thanks by Enu Bala, who appreciated the infectious energy of the troupe and the enthusiastic participation of members. The celebration ended with high tea, as guests carried home not just memories of a performance but the collective spirit of Shakti — strength, tradition, and community.

The LSG session at CIMA Gallery on 5 September 2025 was a vibrant celebration of the theme Art in Life. The afternoon began with a warm address by Richa Agarwal, who welcomed the gathering with her reflections on how art is inseparable from life — giving it colour, rhythm, and depth — and acknowledged Mrs. Rakhi Sarkar for her vision in making this special session possible.

The conversation that followed between Bobo (Ayushman Mitra) and Moon Moon Sen unfolded with wit, candour, and insight. Bobo spoke about his early stirrings as an artist, his first experiments with sketching, and how figures such as Rituporno Ghosh inspired him by proving that a Bengali could leave such an indelible mark in cinema. He shared anecdotes from his family life and the shaping of his business, peppering the discussion with humour and playful exchanges with Moon Moon Sen. Bobo also shared a deeply personal journey that began with his grandfather, Goshto Kumar Mitra – the magician who first guided his hand on canvas. From signing his very first artwork as BOBO, to weaving together influences of Jamini Roy, Picasso, Frida Kahlo, and world cinema, his story is one of inheritance, experimentation, and fearless self-expression.

He spoke openly about his liberal take on sexuality as a queer man, emphasising the role of art in breaking conventions and embracing identity. Bobo also shared his sketchbook with the audience, narrating the stories behind each page and recalling the moments that had compelled him to capture them. He highlighted how he was taught to view the human body in its purest, objective form — citing the example of his first encounter with Titanic, which made him reflect on art’s ability to normalise nudity without sensationalism.

The conversation showcased Bobo’s unique approach where art, fashion, mythology, and queerness intersect, making his work a living dialogue on self-expression and freedom. His exchange with Moon Moon Sen brought out warmth, humour, and cultural depth, offering the audience an engaging glimpse into the artist’s journey.

The evening concluded on a delightful note with a High Tea organised by CIMA Gallery, giving members a chance to continue conversations in a relaxed and convivial setting.

The six galleries of Delhi Contemporary Art Week invite you for an exclusive walkthrough of Bikaner House.
BLUEPRINT.12 EXHIBIT320 GALLERY ESPACE LATITUDE 28 SHRINE EMPIRE VADEHRA ART GALLERY
4 Sept - 12 noon - 1:30 pm (Assemble outside the CCA BUILDING)

An evening with Dr. Ambrish Mithal Renowned Endocrinologist & Padma Bhushan Awardee & 2021 Laureate Award Winner in conversation with Sumaya Dalmia

SATURDAY 30/08 2025 5PM - 7PM Travancore House New Delhi

The Ladies Study Group, under the leadership of President Richa Agarwal (2025–26), recently hosted The Grace of Ghoomar, a three-day workshop held from 19th to 21st August 2025 at EKYA, Queens Park. The workshop was facilitated by renowned choreographer Vishaka Saraf, who guided participants through the traditional beauty, elegance, and rhythm of Rajasthan’s iconic folk dance – Ghoomar.

The sessions were marked by an atmosphere of joy, laughter, and cultural immersion, as members enthusiastically learnt and celebrated the vibrant art form. Participants dressed in colourful festive Rajasthani attire, bringing alive the spirit of Rajasthan through dance, music, and shared camaraderie.

The culmination of the workshop took place on 22nd August 2025 at Advaita, the residence of Richa Agarwal, where participants presented a graceful Ghoomar performance. In her address, Richa Agarwal warmly thanked the participants for their enthusiasm and highlighted the therapeutic joy of dancing together. She expressed special gratitude to Vishaka Saraf. for her guidance and to all the members for embracing the experience wholeheartedly. The showcase was followed by a celebratory lunch, attended by members, families, and friends, making the afternoon truly festive and memorable.

The event concluded with a heartfelt Vote of Thanks delivered by Enu Bala, who acknowledged the collective efforts that made this celebration of culture and community a resounding success.

The Ladies Study Group, under the vibrant leadership of Richa Agarwal (2025–26), hosted an illuminating session titled Decoding Sanjay Garg: Unconventional Experiences Beyond Raw Mango at the Kolkata Centre for Creativity. Moderated by cultural entrepreneur Nandita Palchoudhuri, the conversation offered a deeply personal and engaging glimpse into the mind of one of India’s most celebrated and unconventional designers.

At the heart of the discussion lay questions of identity, authenticity, and creative responsibility. Sanjay Garg’s wit and candour made for a thought-provoking exchange as he challenged ideas of validation, the definition of ‘cool’, and the pressures of designing in a fragmented yet deeply interconnected India.

From anecdotes on the importance of knowing “where you are” before designing “for whom”, to the layered complexity of India’s fashion markets, Garg urged the audience to reflect on fashion not merely as consumption, but as anthropology. He questioned the hierarchies of beauty, cost, and taste — underlining that “what is expensive or ugly is subjective; what matters is whether I do justice to my craft.”

Nandita’s incisive questions steered the conversation to explore the intersection of design and accessibility, asking if the aspirational price points of Raw Mango hinder broader inclusivity. Sanjay acknowledged this tension, asserting that his primary responsibility is towards excellence in craft — a commitment that requires both integrity and rigour.

The dialogue extended beyond design into music, memory, and everyday culture. Sanjay shared how Raw Mango’s campaigns have consistently woven music into their narratives - from folk songs to Qawwalis - reinforcing the synergy between handloom and sound. His experimental celebration of the brand’s tenth anniversary through a unique music album featuring brass bowls, African beats, and elements like ‘churan’ delighted the audience.

Personal moments brought warmth to the exchange — from shared admiration for the film Abhimaan and actors like Jaya Bachchan and Tabu, to reflections on transplanting trees and making spice dips. Questions from the audience sparked further insights: from the naming of “Raw Mango” (inspired by the overlooked value of indigenous produce like Rajasthani capers) to his favourite mishti (Mishti Doi). He also affirmed that no weaving can happen without women — a nod to the unseen yet essential contribution of women in the weaving process.

In closing, Enu Bala extended heartfelt thanks to both Sanjay and Nandita for an inspiring dialogue, and acknowledged Kolkata Centre for Creativity for curating a space that celebrates the richness of handloom and conversation. Madhu Neotia felicitated the guest with a token of appreciation, marking a fitting end to an evening that was as insightful as it was unconventional.